/*Dictionary of Terms*/
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<h2>Frequency Response</h2>

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<div id="testdict-TEST|LEVEL|OUT|1kHz(not yet)">
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<h2>Test Level Out 1kHz</h2>

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<h2>Noise</h2>

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<div id="electret">
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<h2>Electret Microphone</h2>

An electret microphone is a type of a condenser microphone (or pressure mic) that uses a diaphragm between a fixed internal volume of air and the environment. It responds uniformly to pressure from all directions and is said to be <a href="/dictionary.html#omni-directional"
        onclick="return hs.htmlExpand(this, { contentId: 'my-content-small',
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    omni-directional</a>. An electret mic's diaphram is made from a permanently-charged material which eliminates the need for a polarizing power supply (phantom power).

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<div id="omni-directional">
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<h2>Omni-directional</h2>
<img src="/80px-Polar_pattern_omnidirectional.png" align=right>

Capable of receiving sound waves from all directions.
An omnidirectional microphone's response is sphereical in three dimensions. <br><br>

The wavelength of sound at 10 kHz is little over an inch (3.4 cm). The smallest measuring microphones are often 1/4" (6 mm) (the Lindos MM4 mic is 7mm) in diameter, which practically eliminates directionality even up to the highest audible frequencies. Omnidirectional microphones, unlike <a href="/dictionary.html#cardioid"
        onclick="return hs.htmlExpand(this, { contentId: 'my-content-small',
        objectType: 'ajax'} )">cardioids</a>, do not employ resonant cavities as delays, and so can be considered the "purest" microphones in terms of low coloration; they add very little to the original sound. Being pressure-sensitive they can also have a very flat low-frequency response down to 20 Hz or below. Pressure-sensitive microphones also respond much less to wind noise and plosives than directional (velocity sensitive) microphones.

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<div id="stereo-spacing">
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<h2>How we worked out this optimum spacing</h2>
The human ear interprets time differences between the two ears and uses them to locate low frequency sounds, up to 700Hz. Above 700Hz the phase information becomes increasingly unreliable and at 1kHz the brain relies entirely on level differences for positioning cues. For accurate phase capture the time delay must be smaller than the wavelength of the highest frequency you wish to reproduce stereo positioning for. For 1kHz the maximum delay between the channels is 1.0ms or (35cm in air). </span>
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<div id="colouring">
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<h2>Colouration</h2>
If the sound from a microphone sounds different in some way to the original it is said to sound coloured. A microphone that has low colouration means that it adds very little to the original sound. </span>
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<div id="cardioid">
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<h2>Cardioid</h2>
<img src="/80px-Polar_pattern_cardioid.png" align=right>
Cardioid refers to a microphone with a heart-shaped polar response pattern.  This is achieved using a diaphragm that is partially open at the front and partially closed on the back. The pressure difference between the two sides produces its directional characteristics, but as each frequency is effected differently the result is coloured to some degree.
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<div id="frequency-response">
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<a href="#" onclick="hs.close(this)"><img src="/oc/images/highslide/graphics/close.gif" border=0 align=right></a>
<h2>Frequency response</h2>
Frequency response is a specification used to indicate how uniformly a piece of equipment receives or reproduces sounds from the lowest tones to the highest tones. A child is capable of hearing frequencies from 20Hz to 20kHz, as we age our ears response to high frequencies decreases.</span>
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<div id="clipping">
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<h2>Clipping</h2>

Clipping occurs when a system is overloaded. In the case of a preamplifier, if the gain control is set too high then as the input increases the output level will stop increasing in line with the input level. The output will sound increasingly distorted as the preamp becomes more overloaded.

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<div id="EBU">
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<h2>European Broadcasting Union</h2>

The European Broadcasting Union is a confederation of broadcasting organisations from around the world. Its members are mostly radio and television companies which it supports by encouraging cooperation on technical issues to facilitate programme interchange and common working practices.

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  <tr valign="top">
    <td><a name="31"></a><span class=heading><b>v6.00</b></span><span class=body><br><br>
<li>  Save metafile now works. Use the &quot;Save graph&quot; option to save the graphs as a Windows Metafile.       <br><li>  Copy now copies the Metafile to the clipboard. This can be invoked using the Edit-&gt;Copy menu, clicking on the Copy icon or pressing Ctrl+C.       <br>      <br>When pasting graphs into other applications, such as Word, note that it is normally necessary to use the Paste Special command which allows the format to be chosen (as a simple paste will normally paste the plain text, depending on the application))   <br>   <br><li>Frequency response text table results are now normsalised along with the graph values. 100dBSPL normalising added for MiniSonic microphones and normalise to test level option.</span></td>  </tr>
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